I dont mind I dont mind them fumes at all I dont care I dont care about what you do Please beware please beware of what they say I dont care I dont care about you at all In the end they still envy you All your dreams all the things you do I dont mind I dont mind them fumes at all I dont care I dont care about what you do Please beware please beware of what they say I dont care I dont care about you at all In the end they still envy you All your dreams all the things you do Dont belive all the things they say Im aware of the things you do Its okey now that youre alone Talking sunshine instead of holes I dont care about the parts you pay I dont mind at all In the end they still envy you All your dreams all the things you do Dont belive all the things they say I dont mind at all

number one Endless night try to fall asleep Shrinking tight wooly shadow sheep I´ve seen you I´m not afraid I´ve seen you now go away! Coming close I´m making way I´m making all the way away number two Coming close scared in spacey bed Wipes his nose wishing he was dead I´ve seen you I´m not afraid I´ve seen you now go away! number three Tells a lie tries to fool a ghost Starts to cry up to get a toast I´ve seen you I´m not afraid I´ve seen you now go away! Coming close I´m making way I´m making all the way away Now mister K going away number four Endless night try to fall asleep (you´ve heard it before) Shrinking tight wooly shadow sheep

I´ve got a lost cause I´ve got a reason I´ve got 16 thousand arms Ballons and firewoo This one´s got color too I´ve got friends who never talk I know you know I will You always do that I´ve got white gloves for the miss You´ve got a lost cause You´ve got a reason But only 15 thousand arms Got blackbirds on the red tile Got private and public side by side Got high noon in the morning Then in the evening you´ve got nothing new Got sweet teeth for the sour grape Got five more minutes untill you´re late Got high noon in the morning Then in the evening you´ve got nothing new

As I meet time out of time am I not myself? Do I stretch sideways so much I forget? As I fall further toward the meeting I missed And I do stretch sideways so much I´m stripping the walls to echo myself As if I cared about that As if it made a difference As if the world stops turning As if… as if… If you keep falling down something must be wrong If you keep getting up again And it´s no wonder you get lost But you do it again and again and again In an instant I stand eye to eye with myself And during the present and that recognizion is to be One with yourself and one with the next one As if it really mattered As if it was important As if I cared about that As if… as if… If you keep falling down something must be wrong If you keep getting up again And it´s no wonder you get lost But you do it again and again and again

We´re getting ten times closer There is no other The son the cone the dog-bitch Our sonic brother Let´s get him over - the sound of heaven The bitchy outside - this is forever First step is treat; last; order Brave manic mover So true with signs of laughter Our sonic mother Start making changes - we´re going nowhere Truth laying dormant - a greetingmeeting Her shiny mushroom - blaming the father Reward your history - with loosing nothing A barren wasteland - middle of nowhere Her shiny head - her shiny head In a different time maybe You and I would be all right Along a different line of thinking clearly Things would not be like they are Chose a different side nearly Hope for better luck this time Turn the way you turn out trying Be it mice or men of clay Single thought consume all walks of living This is all you know to be Let´s get him over - the sound of heaven The bitchy outside - this is forever

àðé éåãò àéê àú øåöä ùàäéäëñó áëì çåø åáæäá îìàñéâøéä àîøé÷àéú çìéôä ÷åáðéúèééô ùì 100 ååàè áîëåðéú àîøé÷ðéúàáì îä ìòùåú àéï ìé ù÷ìàáì àåúê àðìà àôñéã àðé àæééï ìê àú äùëìëé äéå éîéí àðé òáãúé áæáìôéð÷úé áçåøåú àðé äðôúé àú äãâìàáì äéåí òì äáîåú îåì äðùéíàðé áåøç îäîàôéä ùìà éñãøå ìé úôðéíëé àéï ìé ëñó áëéñéí àðé îìååä î÷áöðéíìà ÷åðä ìê úëùéèéí àáì ëåúá ùéøéíéù ùîåòåú ùàðé äåîìñ åâàð÷éàéï ìé àâåøä àáì éù ìé àú äôàð÷éëé äòåìí äæä âåøí ìé ìá÷ù àú ä÷ùáùáéì ëáåã àðé öøéê ìá÷ù àú ä÷ùìá÷ù ú÷ù úâéãå îä òåùéíù. á. ÷. ñ. îçôùéí àú äù÷ìéíùåá äùá÷ îá÷ù ú÷ù 1997îçôù àåúå îöôú òã áàø-ùáòìà îåöà ìà îúééàù î÷ññ îçôùìà àåëì áàäøåðé àáì òåùä òì äàùéù ìé ùååàøîä åîéðåñ ááð÷ åèìôåï îðåú÷àéï ìé îùëåøåú òð÷ åìà îëåú áæ÷àæ ÷åí-÷åí àúä ðøãí ìé òì ääâäéù ìê úëñó àáì àéï ìê úãøêàðé ãìå÷ àçåùìå÷ éù ìé ìå÷ ùì îéìéåðøâí áìé ù÷ì òì äúçú àðé òãééï î÷áìàæ ùéîå ìá îä àðé àåîø ëñó ìà é÷ðä ìê àåùøëåìðå àåúå ãáø àçã å÷ù æä ø÷ úìáåùúàáì àéï ìé áòéåú àðé ùí æéïëé îä ùáà äéåí äåìê îçø ñááä ìáéðúééíëé äòåìí äæä âåøí ìé ìá÷ù àú ä÷ùáùáéì ëáåã àðé öøéê ìá÷ù àú ä÷ùìá÷ù ú÷ù úâéãå îä òåùéíù. á. ÷. ñ. îçôùéí àú äù÷ìéíàí éù ìê ú÷ù éù ìê ú÷ù éù ìê äëìàéï ìê çåáåú àìó ð÷áåúãéøä áâï äòéø ùëì àçã îëéøåàì. àéé. âéø å÷øì ÷ðàé åîëðñééí øçáåúåîøöãñ àå á. î. åå.åôúàåí ëåìï çåùáåú ùàúä ùååäåîñê 30 àéðö åùìè øçå÷åôúàåí ëåìí öåç÷éí ëùàúä îúçéì ìöçå÷åëñó æä ðééø îéðé-áø ÷ååéàø ééï ùðú 66ëì îä ùúá÷ù ñðãé áøîàðé îàðé îàðé âåøâéå àøîðéúîåðä ùìê òí äðùéà çìåí àîøé÷ðéñåôùáåò áàøåáä ð÷áä ùìà ðâòå áäâøàñ îàôâðéñèï ñéâøéí îäååðä ÷åáäàúä ì÷åç îåòãó ááð÷ àìó çéåëéíùèøåú îâåìâìéí òåùéí ëéñéí îðåôçéíååìãåøó àñèåøéä ÷ùøéí çåá÷é òåìíàîøé÷ï à÷ñôøñ éîåúå ëì ä÷ðàéí ëåìíëé äòåìí äæä âåøí ìé ìá÷ù àú ä÷ùáùáéì ëáåã àðé öøéê ìá÷ù àú ä÷ùìá÷ù ú÷ù úâéãå îä òåùéíù. á. ÷. ñ. îçôùéí àú äù÷ìéí

You got to pull it the right way man Besides that closer to your own chain If theres no room try to keep them cool now The noice will come add a second spoon You got to act if youre up there now man Sloppy lady got legs behold her Theres plenty room if you move the minion Instead of loosing the wrapped up minty yeah Slowly at the floor Stronger than before Honey her wet palm Slowly yeah anywhere anywhere anywhere anywhere I got my eyes on things to come Believe you me it wont be long Those little things keep adding up Dont look like its ever gonna stop Slowly at the floor Stronger than before Honey her wet palm Slowly yeah anywhere anywhere anywhere anywhere Slowly at the floor Stronger than before Honey her wet palm Slowly yeah anywhere.......

Instead of circles now Ladies of opera perfect Enlarging globes from afar Seeing the earth from above Ceremonious trunks standing sparse Ominous mad dancing dark My faded hands do defend Slowly and painting these words Big as the universe Enormous eternal reel Horizon future or past Rushing at the speed of thought Oncoming meeting we sence Led by the recognizion What then´s the purpose of this Keeping our eyes on this play

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Ur So Gay Lyrics

Q: The So-called 4th Sect

Comes a time a change of pace springs to mind What is truth as come from you if I may Seeing things nothing new I wrote it down I was sober enough to see Now that I´ve come this far on my way Grind my teeth stay a while raise a smile What is left I couldn´t say if I tried I was sober enough to see What a waste of life not to turn around Nobody does that no one I know What a waste of mind told what to think That might be pride to you but I don´t care Clearly I see all those little things gone wrong Great war - fight for peace - headlines I´m not applauding that How they tune for dissonance and clashing wills But I´m sober enough to see What now under the sun heads up! but nothing changes here Besides of that I´ve got I´ve got most everything

Lyricist- William Gregory Wells Katheryn Elizabeth Hudson

Artist- Katy Perry

Album- One of the Boys

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I hope you hang yourself with your H&M scarf While jacking off listening to Mozart You bitch and moan about LA Wishing you were in the rain reading Hemingway You don't eat meat And drive electrical cars You're so indie rock it's almost an art You need SPF 45 just to stay alive You're so gay and you ...

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Posted on 14 Apr 2025, this text provides information on One of the Boys related to William Gregory Wells Katheryn Elizabeth Hudson. Please note that while accuracy is prioritized, the data presented might not be entirely correct or up-to-date. This information is offered for general knowledge and informational purposes only, and should not be considered as a substitute for professional advice.

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Bring Forth The Enemy

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William Gregory Wells Katheryn Elizabeth Hudson

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